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Screenwriter and director Cristian Mungiu addresses these very questions in his 2002 debut feature film titled Occident [The West], a savorous comedy portraying immigration as "a national sport, the national obsession at the beginning of the 90s." Occident is also a movie about the new, dynamic, perpetually transforming and consumption-oriented Romanian society, where the protagonists explore ways to fulfill their dreams in a country where the disappearance of oppression and political persecutions does not necessarily allow for one's pursuit of happiness.
This innate diversity has now become eminently visible, palatable, and savorous in Alexandre Zotos's new representative anthology.